Cannonballs

Work on this page was cast in South Italy on the surface of Cannonball artifacts in Otranto Castle.  Scroll to view exhibition images followed by process.

Cannonball Skins on pedestals and brass bullet casings on floor
2017

Cannonball Skins are casts of the weapons fired from Ottoman galley ships during the 1480 Ottoman Invasion of Italy.

Female Abduction Box
2017
Silk fabric, chain and leather handle
24x15.5x5 inches

During the 1480 occupation of Otranto, many Italian women were kidnapped.

Female Abduction Box
2017
Painted dimensional paper tablets, seashells, sea glass, pins, sand
24x15.5x5 inches

The tablets were created on the surface of Ottoman cannonballs.

Female Abduction Box (Interior view)
tablets are 5x9 inches ea.
Female Abduction Box (lid interior)
2017
Dimensional tablet on silk with chain and leather
Gallery view
2017

Atlantic Works Gallery, Easy Boston


View 3D gallery tour here.

Guest artists included Christine Coënon, French sound artist and filmmaker living in Paris; and Boston-based artist John Wilkinson, who fabricated a plexiglass mobile, “The Blue Bolt.”

“Once Upon a Time Otranto”
Click image to listen to Christine Coënon's audio.

You will hear flocks of starlings, the sea, bells,and voices from the seaside town located way, way down at the sole of the heel of Italy's boot.

Skin of Warriors: Men I Have Loved
2021
Copper tubing, paper tablets cast on top of Otranto cannonballs, plaster gouache
5 x 4 feet

The tablets in this mobile were made upon the cannonballs.


The work honors men: father and uncles, grandfathers, lovers, and childhood friends who fought in wars.

Process images

The Aragonese Castle of Otranto, built at the end of the XV century, houses cultural events, exhibitions, an archeological museum....and cannonballs.

They are the actual cannonballs fired during the horrific siege of Otranto in 1480.

I pressed layers of paper and glue onto the surface of the cannonballs and let the layering dry in the sun.

My intention was to embrace the texture of the weapons and also the essence of invasion.

When I lifted the paper replica from the cannonball, I couldn’t help but think about the Greek creation myth, about how the world and its panoply of gods, humans, and hubris came into existence through an act of violence.

I also cast the Female Abduction Tablets and War Chronicle Tablets on the cannonball surface.

In Otranto Studio with Cannonball Skins, preparing for exhibition.

In Otranto Studio with Cannonball Skins, preparing for exhibition, which took place inside the Aragonese Castle of Otranto. Puglia, Italy, 2014.